10.29.2011

Border Wall as Architecture


"You can take the boy out of the country, but you can't take the country out of the boy" 




The new River(Rio Nuevo) is considered the most polluted river in the United states. A waste water treatment wall located in the 3kim long wasteland between the dense border cities of Mexicali, Mexico, and Calexico, California, comprises a linear pond-filtration and purification system.



The most untapped potential for solar development in the united sates lines along the US/Mexico border. Solar farms can provide electricity to the energy hungry cities of the region.


4.17.2011

At SAATCHI GALLERY

 
Every... Bernd And Hilla Becher Gable Side Houses 2004 
Photogrphic print 208 x 160 cm


Since 1959 Bernd and Hilla Becher have been photographing industrial structures that exemplify modernist engineering, such as gas reservoirs and water towers. Their photogrphs are often presented in groups of similar design; their repreated images make these everyday buildings seem stragely imposing and alien. Idris khan's Every... Bernd And Gilla Becher series appropriates the Bechers' imagery and compiles their collections into sing super-images. Inthis piece, multiple images of American-single gabled houses are digitally layered and super-imposed giving the effect of an impressionistic drawing or blurred film still.








Every... Bernd And Hilla Becher Prison Type Gasholders 2004
Photographic print 208 x 160cm




The structure in the Bechers' original photographs are almost identical, though in Khan's hands the images' contrast and opacity is adjusted to ensure each layer can be seen and has presence. Though Kahn works in mechanised media and his images are of industrial subjects, their effect is of a soft ethereal energy. They exude a transfixing spiritual quality in their densely compacted details and ghostly outlines.  ... Prison Type Gasholders conveys a sense of time depiicted in motion, as if transporting the old building, in its obsolete black and white format, into the extreme future.







Every... Bernd And Hilla Becher Spherical type Gasholders 2004
Photographic print 208 x 160cm








The Bechers took their photos as a means to document a disappearing tradition; 
by grouping them according to 'typology' the buildings' designs function like archetypal symbols or an architectural language. Through Khan's translucent aggregations, structures such as ....Spherical Type Gasholders lose their commanding simplicity and rigid formalism and descend into fractured and gestural blurs. Through his photographs Khan compresses the timelind of repetition into indivisible subsuming moments and creates 
a poetic mutability from the fixed codes of history.




As I researched history of around bermonsey and the neckinger river, the way Idris Khan's works which layered each photographs can be applied on my drawing of research. lol





4.04.2011

Things to do during holiday ( tutorial on fri.01.02.2011)

- Consider using both sides? ( even if i dont need to use it, think about it )

- How can I visualise my historical research about river ?
( sections through time)

- 1:100 sketch models
( think about how to organize programme- plan)

-How can I show light /sound?
 (films focusing on foot like i did on my previous work)

4.01.2011

what a beautiful water !











   Structure of foot spa on the ground might be figuration of the flow of water in order to emphasize water clean. However, how could i combine with the exposed pipe? lol

H2Orchestra performing for the National Capital Commission on Balnaphone

3.30.2011

Hot tub (BAD, Bath)

 Sabine Muller and Andreas Quednau liken this 2006 project to the childhood experience of drawing warm water from a garden hose that has been left in the sun.


 Though the curving plastic hose may have the most striking visual presence, the architects point out that 'all surfaces thouched by the user are made of wood'. The hose structure, however, is key to other functions of the design apart from delivering soloar- heated water.




 

 When sealed between the wood slats, the one thousand metres of hose used to fill the bath also creates the bath structure. The wrapped hose works to shade the chaging space. 



   The water in the hose is warmed by the sun, a prcess which can take up to two hours. Cold water can then be added. After each bath, the water is released to irrigate the 
surrounding lawn.


 Client: Akademie Schlob Solitude
Cost: c. €20.000
Size: c. 4m x 6m x 3.5m (height)
     Architects: SMAQ Studio for Architecture, 
Urbanism and Research
Project team: Sabine Muller, 
Andreas Quednau



  Exposed water pipes can let people know how much water clean. 
Futhermore, It might be able to be a performance by itself :)


My concept of performance space is ...

Through research of subterranean around bermonsey, I decided to design space where people can enjoy water! Since my site used to be the way of Neckinger river which was disgraced one-time "Captial of Cholera" and Bermonsey spa is nearby, I would like design enjoyable-water space in order to wipe out a disgrace. By making the maximum use of water, the site can be place to do foot-spa, drink tea and be realize how clean water be greateful for us.

3.28.2011

The Pompidou Centre in Paris By Renzo Piano and Richard Rogers


The pompidou centre's original brief was to provide a "cultural Centre for Paris', which was interpreted by the architectrues to be a 'Live Centre of Information and Entertatinments'. Nevertheless, the competition briefe was to design a building that contained a museum of modern ars, a reference library, a centre for industrial design and a centre for music and acoustic research. Piano and Rogers aimed at the art speciaist to include the casual vistor, te local resident and the tourist,  by creating a truly dynamic meeting place where activities would overlap in flexible , well serviced space, a people's centre, a university of the street reflecting the constatly changing needs of users.




The design was intended to be expressive of change as well as its realization in practical terms. Key to this concept was the flexible layout of the building, with services and acess distributed around the perimeter to allow completely open floor plates that could be rearranged in any manner. The expressive, bolt-together structre was layered with cliped-on ans colour-coded access and service elements- people were meant to understand from its appearance the process of architectrue as an enabler from freedom of activity and use. External moving escalators and lifts gave activity and mobility to the facade.





The red represent escalator, The Blue represent water and aircondition, The Yellow represent electrics.

The History of Neckinger river


  The Neckinger river, its name comes from Neckinger Wharf, or 'Devil's Neckenger', where Thames pirates were executed with a rope known as the 'Devil's Neckcloth' until the mid- eighteenth century.



 In 18C, they built a stone bridge across the Neckinger and ran two large mills. One was on the Neckinger and the other, a tidal mill, on the Thames at Rotherhithe, where Albion and Canada Docks now stand. After the dissolution of the monasteries the Rotherhithe mill was converted into a water-raising machine to pipe water to Southwark and Bermondsey. The other mill, by Millstream Road, became the first gunpowder factory in England to be powered by water. Later both were rebuilt as paper mills and became the first mills in England to make paper from straw.


The river was also used by tanners, who often complained that the owner was 'shutting off the tide when it suited his purpose to do so, to the detriment of the leather manufactures'. The conflict came to court and 'the ancient usages of the district were brought forward in evidence, and the result was that the right of the inhabitants to a supply discomfiture of the mill-owner', wrote Sir Charles Knight in 1842.


 Tide-mills were dependent on a multitude of reservoir catchments called tide-streams, which filled with water every high tide. At low tide, water was let out through bottlenecks and powered the mill. This is why the Neckinger, and its neighbour, Earl's Sluice, often gets lost in the artificial ditches and watercourses on the south bank of the Thames, their exact course a mystery.



Beyond Abbey Street the river corssed Jamaica Road and divided into two branches. Between the two lay Jacob's Island, one of the most squalid blots on the Victorian Landscape. The Morning Chonicle of 24 September 1849 lampooned it, not only as the 'Venice of Drains', but as the 'Capital of Cholera'. It described the water surrounding its as 'the colour of strong green tea'. Charles Dickens called Jacob's Island 'the filthiest, the strangest, the most extraordinary of the many localities that are hidden in London', and immortalised it in Oliver Twist, as the backdrop to Bill Sikes' terrible end.


 In such neighbourhood, beyond Dockland in the Borough of Southwark, stands Jacob's Island, surrounded by a muddy ditch, six or eight feet deep and fifteen or twenty wise when the tide is in, once called Mill Pond, but known these days as Folly Ditch. . . Crazy wooden galleries, with holes from which to look upon the slime beneath; window, broken and patched, with poles thrust out, on which to dry the linen that is never there; rooms so small, so filthy, so confined that the air would seem too tainted even for the dirt and squalor which they shelter; wooden chambers thrusting themselves out above the mud and threatening to fall into it - as some have done; dirt-besmeared walls and decaying foundations, every repulsive lineament of poverty, every loathsome indication of filth, rot, and garage: all these ornament the banks of Folly Ditch.





 South of the Neckinger, and possibly one of its tributaries, runs Earl's Sluice, which flows down Denmark Hill to the Old Kent Road and Rotherhithe, joined there by a tributary from Peckham, the Peck.

  At the Old Kent Road there was watersplash, later replaced by a bridge. It was known as Thomas-a-Watering, after Thomas a Becket. It was the first stop for pilgrims on their way to Canterbury, and Chaucer refers to it in The Prologue:



 And forth we ridden, a little more than paas,
 Unto the waterying of Sain Thomas,
ther our hoost bigin his hors areste.


From Roterhithe New Road, where it enters the swamps of south London, crisscrossed wimill-ditches and tidal-streams, its course becomes uncertain. One theory is that it joins the Neckinger in Bermodsey. Another is that if falls into the Thames near Rotherihithe station. The third says that reaches the Thames at South Dock by St George's steps. Like the corpse of Bill Sikes, the answer lies forever buried in the mud and slime beneath the streets of south London.

 From London under London by Richard Trench and Ellis Hillman





3.24.2011

I found NEW site !









 I found new site which is subway next to bermondsey tube station.

The history of bermonsey by Tim Lambert

EARLY BERMONSEY

Bermondsey takes its name from a Saxon landowner. It was Beormund's eg. The word eg meant an island, a promontory of land or in this case an 'island' of dry land surrounded by marsh.
In the Middle Ages a Cluniac Abbey stood in the heart of the settlement. It was founded in 1089 by a merchant called Aylwin Child. (At first it was a priory but it later became an abbey). However Henry VIII closed it in the 16th century but it lives on in the name Abbey Street. A man named Sir Thomas Pope dismantled the abbey. In its place a 'goodly house of stone and timber' was built using materials from the abbey.
 There was once a river called the Neckinger, which flowed through the area. (It now flows underground).
Then about 1570 a man named Joris Hoefnagel made a painting called the Feast at Bermondsey. It shows a quiet village opposite the Tower of London. The painting also shows a boatyard on the Thames.

However Bermondsey began to develop in the late 17th century. After the plague in London in 1665 and the fire of London in 1666 wealthy people began to move to nearby villages. They were close enough to London to reach it easily but were also away from the dirt and noise of the town.
 The Church of St Mary Magdalen has existed since at least the 13th century. However it was rebuilt in 1690. (It was also altered in the 19th century).
In 1770 a man named Thomas Keyse discovered a natural spring on land he owned by what is now Spa Road. As a result of his discovery Bermondsey became a spa town. In the 18th century people believed that drinking mineral water was good for your health and many doctors prescribed water from the Bermondsey Spa to their patients. As a result Bermondsey boomed and in the late 18th century many large houses were built in the area. However the boom was short lived. The spa closed in 1804.
   
 
MODERN BERMONDSEY

In the 18th and 19th centuries Bermondsey developed into an industrial centre. It was known for tanning and leather working. There was also an industry making calico (a type of cotton).
Furthermore as the port of London grew rapidly many wharves and warehouses were built at Bermondsey. Another industry in Bermondsey in the 19th century was food processing. Food was unloaded at the many busy wharves.
In the 19th century Bermondsey was engulfed by the growing city of London. However Bermondsey was a poor area of London with many unskilled and casual workers. Much of its housing was dreadful slums.
In the 1950s and 1960s the wharves and warehouses in Bermondsey rapidly declined as the port of London could not compete with more modern ports. Bermondsey became a deprived area.
However at the end of the 20th century parts of Bermondsey were transformed. The London Docklands Development Corporation was formed in 1981 and it invested large sums of money in regenerating Bermondsey. Where once foodstuffs were unloaded and store in warehouses there are now flats, offices and restaurants.
Bermondsey is also known for its Design Museum, which opened in 1989. It is also known for the Fashion and Textile Museum, which opened in 2003. Today Bermondsey is also famous for its antiques market.

3.22.2011

Diana, Princess of Wales Memorial Fountain @ Hyde Park

The fountain was built with the best materials, talent and technology. It contains 545 pieces of Cornish granite - each shaped by the latest computer-controlled machinery and pieced together using traditional skills.

The design aims to reflect Diana's life, water flows from the highest point in two directions as it cascades, swirls and bubbles before meeting in a calm pool at the bottom. The water is constantly being refreshed and is drawn from London's water table.

The Memorial also symbolises Diana's quality and openness. There are three bridges where you can cross the water and go right to the heart of the fountain. We hope visitors will feel at home when they visit this special place




 This memorial fountain is more than fountain. The use of this space is quiet open even if the purpose of fountain is 'memorial'. And the most impressive point for me was how water flows differentely.
and when the fountain closed, how drain work to suck water in.  


 

3.18.2011

site map

 @St james church yard , Thurland road, London

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